Soft Power

Luke Warrington
But most of us turn slow to see
The figure hanging on a tree
And stumble on and blindly grope
Upheld by intermittent hope,
God grant before we die we all
May see the light as did St. Paul.

Act One

Scene One — Elleh Toledoh

INT — Sunset Club, Camden. Cosmo's wake party.
Tyrese

Iced boots and coats defrosted in a hot Sunset,
A hole on Chalk Farm Road built in an old bunker,
Acrid mist rising from the blackened wood, beading
In fat pear-shaped tears resting on the low ceiling.
Some eyes here he'd met before, some were only types.
The garden overflow'th with fruit overripe,
Softening with bitterness, much like this rotten state
Of mind that he'd been demarcated with of late.
Appalled but drawn to parricidal decisions,
Caught in static semantic disposition,

Spotlight Joly

Here Joly stands, too scared-stiff to face the jury,
Clutching empty bottles from a bought-out brewery.
Thus a crossroads, halfway along Joly life's path.
A crooked lane through the dark wood, fumbling through farce.
All roads lead to Rome, but in Sunset the statement
Rings true moreso for the club's main bar by the gents.
He'd finished his shy Tokaji far from prying eyes,
But now with his glass empty and dry, it was time.

Joly stumbles to the bar, resting a hand on a table for stability on the way

Stable hand on the table, said to be favoured
By Eliot in the 20s, later a blaze
During a Clash gig razed the whole place to the bones,
Along with some unfortunate souls some allege
Never left, haunting the club's dancefloor like disco,
Anxiously looking above like there's mistletoe.
The brothers, their relationship at its limits,
Visit at Cosmo's request and Joly's grimace
For this generation's version of Sunset's new dawn.
The spirits mixed with the spirits to raise spirits,

Joly receives his drink from the bar

The likes of which The Dilettantes, their indie band,
Had never seen, green in the underground mystique,
Always boldly talking but with nothing to say,
Now with war stories, they could finally come to play.
Cosmo, the only one that wanted fame, reclaimed
His love for art and music and came to disdain
Everything else, complaining of global constraints
And paternal servitude, which to Joly's shame
He couldn't say he felt the same, knowing his place
And the weight of his name, Dox, in the music space,
In which he ultimately wanted to remain.
The producer's attitude could be looser.
He had bigger problems to fix in any case,
He had fallen out of love and grace with Delphine,

Spotlight Delphine

Five years prior a singer in a 2B band,
But now his incredibly famous ex-flame.
She lived in the Camden Square flat with their daughter,
Estranged isn't even the word, it's much fraughter
Than that, it's been six weeks since he changed her nappy,
Joly couldn't be sure if she wore them anymore.
He wasn't even meant to be out late tonight.

Spotlight Dancefloor

Now he shares a dark dance-floor with nocturnal sprites,
Molochs and angel-headed hipsters, street disciples
Of a culture found young and lost, loved and reviled.
It's twelve years since Cos brought him here for the first time,
Saying he'd met some of the generation's best minds
Destroyed by madness and absurdity, burdened
By purposelessness, beholden to urgency,
Too weak to complete their journey, instead twisting
Listlessly through miserable purgatory, fists
Vainly raised towards the Leviathan, lyres
Strumming melodies aimed at powers dark and light,
Pleasing to a greensleeved producer such as him,
Settling at 2B Records, under his father's wing.
Keen to please the patriarch, he resolved to sign
Most talented malcontents, how woe betided!
A mistake he'd never make again, so he thought,
Until Cosmo's ship never made it in to port.
They buried his empty grave this April morning
After 2 weeks in the Port of Spezia trawling.
The brothers were never close, six years between them,
Their fraternal love a labour Sisyphean
Before Cos hit the road like Henry. He wrote
Joly a parting poem, the least he was owed.

Joly takes out the letter
Cosmo (unseen)

I've left because I wish to live deliberately,
To front on only the essential facts of life,
And see if I could not learn only what is taught,
But realise in death's when I truly come alive.
Sprung free from our jobs, cars, offices, and taxes,
Here in the woods, me and Waldo are relaxing.
We don't work with our hands, we don't walk with our feet,
Insist upon yourself brother, insist and be free.

Tyrese

Joly read the letter while waiting for a slash,
Behind lads on the lash relying on white lines
To smash with punchlines rehashed from Turkish tombstone
Teeth smiles flashed at some unimpressed gash in the line.
A tear wells, like Orson. Prismed, he viewed a friend,
Tom Eliot-Windsor, waving like no tomorrow.
Funny hat, shiny pants, half an ounce in his hands,
Beckoned to the front of the queue, Joly followed.

Tom

You were looking lost out there, old chum. In we go,
There's a good boy. I know you don't partake per se,
But Cosmo and I were Colombian brothers,
So I feel it's only fair in his honour, eh?

Joly and Tom do lines

I mean we had the same charlie plug, Dante.
In fact, I thought that the whole event was "catered"
Because somebody bought him clean out last weekend,
I almost made the mistake of not bringing any.

An angry bouncer knocks on the door
Tom

We're having sex, fuck off. Are you finishing that?

Scene Two — Mind Rain

INT — Eurostar Standard Premium carriage. Norah Healy lounges in her seat with her naked feet on the seat in front of hers, messily eating a sausage roll. The man in the seat next to her is an unwilling participant in their conversation.
Norah

They should really extend the Eurostar worldwide.
It's the best way to travel.

Tyrese

She could tell this guy really wanted to read his free copy of the Economist.

Norah

Have you taken your girlfriend to Paris before?

Tyrese

She already knew he didn't have a girlfriend, having found him on Facebook from the name on his ticket within 30 seconds of him sitting down.

Chump

It wouldn't work anyway, your plan. It's called the Eurostar, it would be confusing for people if it went all over the world.

Norah

The Northern line goes to South London dipshit, do people get confused by that?

Tyrese

In the violet hour
60 feet under la Manche
She could almost taste Dover.
Hyacinths and a sausage roll
From Gare de Nord
chug chug chug
Norah Healy was in good spirits
Complementary in Standard Premium

Girls
Dansons la capucine,
Y'a pas de pain chez nous,
Y'en a chez la voisine
Mais ce n'est pas pour nous

Forever bound to you, as the ancient saying goes.
We held hands that August night down Rue de la Harpe
(Possibly before it changed its name)
Talking at length about our dreams.
The words you said I couldn't say the same back.
Forever will it take me to forget
Your flash-flood tears of practised anguish
That crashed silently into an oyster shell,
Before parting ways and wishing well.
That's the thing about good intentions,
They perform the job of paving stones.
Our hotel had sorts of cool inventions,
A tad pretentious for my tastes but it came highly recommended
By one of your wet mates from Rugby or Cambridge.
Forever shall I question my choices,
But how long will this monster stay voiceless?
Wrapped up in red and yellow tape,
Hell-bent on an exit, praying for a saviour.
A tell-tale sign of malaise when we don't
Talk of rain because we've come to expect it.
A long winter of mishaps and setbacks
Trilled with flashes and hot spells,
So you don't forgot how that feels.
The type of winter that makes you consider
Whether there's anything keeping you here
For the rest of your pertinent years.
Is it folly to believe that hollow trees
Should uproot and change locations?
I was waiting in the lobby with some carnations
Preparing to update my status when you entered.
You popped back to the office to meet Patrick
And thought I was still shopping in the spot
With the black and white film posters. I was not.
You're no Cecil Northcote Parkinson, big shot,
I'm not a resource you can delegate.
Disbelieving glances at your wristwatch,
You're at a complete loss, she must be late.
Seeing your mistress for the first time
Reminded me of seeing your porn history,
It both mystified and humoured me.
I knew you weren't the love I was seeking and
You threw me that ring while your ship was leaking,
That I would soon be leaving, but this twist
Came sooner than even my most pessimistic
Line of thinking, I'm kind of impressed.

Dansons la capucine,
Y'a pas de vin chez nous,
Y'en a chez la voisine
Mais ce n'est pas pour nous

We smoked a fatty on the walk back from
Montmartre to your flat in Batignolles,
I'm normally nervous on a first date
But there was something in the laidback way
You pulled it out and gave it to me
That I found impossible to turn away.
Two-ply the streets were trying to walk through
In rush hour swelled with Asian tour groups
Who pause to preserve every twist and turn
Of the Seine to pretend to their friends
That they saw more of Paris than them.
You told me you knew every road in town,
Where to breakfast, lunch and dine like locals,
Which unfiltered cigarettes I should smoke
And what folk I should avoid late night
(Generally anybody with shaved heads,
Long dreads or offerers of narcotics,
Which in hindsight is ironic as it's
The only advice that was correct).
Something poetic about a December exit
After a sunny summery entrance.
I left and was struggling to comprehend
What had just happened and if it's too soon to text.
Even now I find it hard to explain,
I don't know the French for walk of shame.

Dansons la capucine
Ya de plasire chez nous
On pleure chez la voisine
On rire toujours chez nous

For every word I write another
Seeks to follow, my pencil presses red hot
Lead devouring paper and traversing
Lines printed to marginalise content.
Here's the rub Prince, I'm going back to England.
Our union was brief and now it's ended.
There's nothing left to say, ring's in the safe,
I've been trying to give it back since September.
Don't think you've hurt me, I'm impervious,
From my very earliest memories
I've only been afraid of purgatory
And equivalent permanent inertia,
Returning to the curbed suburbs of Surbiton.
I've heard the girls, now it's Pluto Shervington,
Lord! Anybody see my trial? Grief for I.
Why judge, I was badly beaten, found by
Loved ones, battered by an irate husband,
Searching for a man that was not I.
Your honour was presented fraudulently.
Your humour is offensive, not the good way.
Dieu soit loué, I finally know now
I must excise this bloated growth,
This ghastly Esthesioneuroblastoma.
Choose to disappear into my own night
on the tail of dear Chantal Sébire,
Before I lose my five senses
Forever, farewell.

Scene Three — Burial

Tyrese

Vegan Abattoir ground to a halt mid-encore,
Delphine's last note still wet on the monitors.
Joly palmed his way out through the fire escape
To cold air and a ukulele on the kerb,
Matchbook in the headstock, The Albion on the sleeve.

Yoshikoko

I go to a place
When I'm allowed
It is close to me
Four parcels away
I am an orator
I compare our worlds
I know it left you
But it's still with me
I'm glad that you got free
Happy for your daughter
I wish for that as well
Flowing like that water
Playing in the gutter
Slipping to grey canals
Brain soft as butter
Fruit of our ancestoral
Mystic quest, inner eye
Apple of a gemini
Indescribed alliteri
お願いします, ください

Tyrese

He pocketed the matchbook. She didn't stop playing.

Inside, the monitors crackle
Rückenfigur

Never trust the quiet ones, the upper lip is brutal,
Resistance is futile, the shit is institutional.
Sold the Crown Jewels off, sold the Camden Hells,
They rally round the family with a pocket full of shells.
There's nowhere that you can hide, we invented genocide,
Take your treasures where you can't see 'em, locked inside the British Museum.
Three lions on the chest, imported from Africa,
Classical society is really more Der Klassiker.
I knew some dilettantes, pretty boys with daddy's backing,
Signed the silverware and called the looting A&R.
Buried an empty box then wept at their own acting,
Took the flowers home and charged them to the star.

Joly

Mask off. Fucking mask off. Take the fucking mask off.

Tyrese

Delphine's hand on his chest, her rings cold through the shirt.

Delphine

Jolyon, please calm down. Let's go and talk over there.

Scene Four — The Joker and the Thief

INT — Kwame's kitchen. WK and Kwame read each other lyrics. Tom Eliot-White looks around and takes cocaine.
WK

A guest in my own reality, tormented
By my covered coffin deep in the back garden
And its primal urge to grow. Had I repented
(For my sins) he might have granted me a pardon,
But now the cat's out of the box, we'll never know.
Can one divide life's prestige by the physical?
Has the soul evolved to mere vestige? Heaven's no!
I can't forget that he was the original
And I the facsimile, god to my prophet
But a class beneath. I've won against nothingness
By borrowing from my binary opposite
And between Heaven and Hell we found consensus,
To each party a half-life, different loves and
Private values but unified when on display.
Unperturbed by uncertainty, eventually
Unobserved we both will be scorched or decay.

Kwame

Deeply imprinted in children of influence
Lives a conviction carved from continuance.
Even in crystalis, gods in the embryo,
Pampered in champers, peppered in prep school.
Wimpy and charming, in love with their fathers,
Rather than argue they force nervous laughter.
After all A-stars they depart to pater's alma mater,
Smarter than half the class but no one talks faster.
Hard is the battle so bravado takes charge.
So long they walked this path, so long it lasts.

Tom

The legendary sword of Damocles hangs heavy
Over a Politics, Philosophy and Economics degree.

Kwame

Logically a high proportion of these so-called
Thought-leaders lead us, some others tap our phone-calls.
That was my future, but I had no more path to follow.
Neither protocol was adequate, no pill that I could swallow.
I failed a stress test and my consciousness went stage left.
The next step, I quit uni and Oxford in the same breath.
That night I found an open mic and wrecked bars.
Rufie saw and said I was a for-sure born star,
He took me out to his sports car in the car park
And brought along two hardcore pornstars in sports bras.
Well, not for long… we partied all fortnight and more,
Then when he asked me to move in here I said sure,
I'm always in up here smoking or recording
I may as well move my futon and skateboard in.

Tom

How can you afford all this? You man are ballin'.

Kwame

Landlady's sweet on Ru, sometimes she comes a'callin.
More often she drops him a text summoning him,
Like 10 minutes ago when he went off running.

Tom

Penetration for accommodation? Madting.
I guess it beats a studio flat in Acton.

There is a brief power cut. When the lights come back on, WK is gone.

Act Two

Midway upon the journey of our life, I found myself in a dark wilderness, for I had wandered from the straight and true.

Scene One — The Fire Sermon

Joly stumbles out of Sunset with a bottle of vodka then walks down the Camden Canal muttering to himself and drinking.
Tyrese

Dawn close, Sunset closed and spat characters like phlegm
Out onto the streets, night stars their resurrection.
Joly wallowed with bottle by a bridge and waxed
Lyrical about two things he couldn't buy back.

Joly stops by a bridge
Joly

We are falling, like the recurring dream that brings
Morning rushing in and cold sweat to my dry skin,
Into pandemonium. Is nothing here real?
Dwelling over rotten smoke, black clouds hold ill will.
I need residents of Poet's Cemetery
To represent me, at Tolstoy's Farm with Ghandi
No hand can bring me harm, but without suffering
There's no sanctity. Canvases of paintless brushings,
Nostalgic for a slow-motion past, filtered fun
Memories more vivid than in pre-production.
On every eyelid an advertisement, tiny
Jewels glued around the brow — proud, playful and shiny.
The greatest poets, the ones they still speak about
Live eternal like worshipped deities, devout
Followers finding fresh focus, freed from fatal
Inertia and banal versions of stale fables,
Stable tales and hailed babies. In worldplay surfs rise
To merchants. The gentry are landed, for turned eyes
a peerage and three letters for your loyalty.
Some proles master prose and ascend above royalty,
Gods in realities of their apostles
But mere students in their own, now dirty fossils.
Is expertise not mastery of thesaurus
and dictionary? Intelligence withdraws us from savagery,
Vocabulary from blindness.

Beggar below the bridge laughs maniacally

The laughing beggar bathes below
In divineness cast down from the retrograde moon,
Now the water follows the fish and the lambs
Refuse slaughter. The truth defies the lines drawn out
To confine it, spilling like oil from an unpluggable pipeline
To dilute rivers of life-giving water.
In my dumb presence I'm as much a supporter
as the fingers that take aim and pull the triggers.
We clutch to traditions like censoring n———.
The century turned and we were warned of the Triumph
Of Bullshit, decades later they banned Naked Lunch,
Ulysses, Howl, Animal Farm and Brave New World.
Would Cosmo be alive if I'd understood his words?
Good grief, it seems that I've been reaping what I sowed.
Born alone, die alone, I'm living what they wrote.

Joly drains bottle

No more chipped-tooth smiles to serpents, time is urgent
But there's solace in reality's divergence.
From shoulders of Atlas to wrinkled infant hands,
We watch this world end with a whimper, not a bang.
This is the way the world ends
This is the way the world ends
This is the way the world ends

Joly smashes bottle and sets off home
Beggar (reading a newspaper)

Politics and lists and a feminism quiz
And cats and lists and funny little pics
And long form short form, see you in court form
Burkas and hooks and selling your books
French merger, hostile bid, who cares who owns the kids
And lots more lists, don't look at these tits
But look at this ass and look Farage
And guardian witness, send us your pictures
Lists and content and content and lists
Prevalent in a media willing to conceal
Your little eyes from the real divide
It's black and white underground but we gotta mind the gap
Between us and those living in the sky
The landscape has been scarred by the shard
In its shadow the discarded share a minutes silence
The only thing I need the man's help to buy
Is some time to get off this fucking island.

Scene Two — Portrait of Destiny

Ron and Joly are in Ron's gaudy office. Joly is hungover and looking lifeless in a chair. Ron is at his desk drinking whiskey and looking out of the window.
Ron

I feel no guilt, neither should you my firstborn son.
This month has been too cruel, I seek the snow once more.
Cosmo's request was heavy and his solution
saline as his darkened tomb on the ocean floor,
intended to render our potable water
unpalatable in each mouthful and nausea
inducing, as if I'd lost a daughter.
I see through his final disappointing demand.
I feel no guilt, less than his first disappearance
or his return home with earrings aged fifteen.
By severest words and schemes he never redeemed,
therehence spiritual abandonment of my child
gave rise, I'll admit to that.
I lament each passing year your mother wrote
"Excuse my dust" on her gravestone.
Eventually adjacent, mine shall instead
demand fear in all living producers of testosterone.
I feel no guilt. O ye men who dwell in streets
of Lacedemon! O this night, alack alack alack!
Reports from Jerusalem that the city
which had taken the whole world was sacked.
Regard Alaric, son of Rothesteus.
Would I remain recalcitrant as Sabbas
and fill my lungs with Danubian water
to meet glorious saints in the Bastille,
drunk on liberty and enthusiasm?
I say Non, sire, c'est une revolution,
what doesn't kill one only makes one stronger,
so close your mouth and perform your ablutions
The Lady's not the only one for turning
but now that's the only solution, so the crowd
believes on the streets of Lutetia and Mamucium.
I don't think this time we will be saved by praying,
My stock market maven explained
We could be taken over in the next few months,

Ron gets up

No. Not months. She's buying us out by Monday.
Son, I'm not losing this fucking company.
Go get a new band and make me some fucking money.
I hate to point out it was all milk and honey
Before I hired you, now I'm fucked royally.
To honour Cosmo's death, this tour is all it will take,
While making a huge difference to the existence
of the family business.
Any questions, son? Bare in mind I'm not giving you an option,
if at first you don't succeed, show some persistence.

Joly

Just the one. Have you always been this deluded
Or is it something seasonal, like the gout?
She's buying us by Monday and your plan is sign
A band that don't exist, won't show their faces,
Never play the same song twice, and do it for
My dead brother? I'm going to Eliza's.
Don't ring me tonight, I won't pick up.

Joly leaves. Ron's phone rings.
Ron

What? Put them through.

Destiny

Hello Ron.

Cut to Destiny
Tyrese

Destiny Vegas sat in her burnished parlour,
Completely enveloped by Dante's Sonata,
The triumphant close to her favourite stage
Of Liszt's masterpiece, Années de Pèlerinage.
A google search tells you her real name is Anna
But in a most typically public school manner
Her Channing classmates used Bartholomew, although
Her doting parents called her Annie at home
Until too soon she had grown into something
That they no longer understood and feared, teeming
With teenage self-confidence and juvenile dread,
Peering through the looming glass ceiling overhead
Into cloudy darkened dooms some two or three,
Smiling at all those situations yet unseen,
Baring white cleavage, legs, soul and teeth at faces
Uncaring when viewed from the cold nether places.
Her schism's nominative self-determinism.
When the day finally came to make the decision
For the first time in her life: What should her name be?
Anna Bartholomew isn't a celebrity.

Destiny

How will I make them remember me?
What's my name?
Though I should have been somebody else long before,
On the ocean floor is the hermit crab reborn.

Tyrese

Destiny Manifest sits necking straight absinthe,
Measuring out her life with a silver teaspoon.
In whispering coolness begins young nature's play,
Stirring Spring phenomena an obvious muse.
She took advantage of the height of her shoes and
Snuck a look above the parapet, amused by
Competitors unwilling to get their feet wet,
She knew to reap success she'd have to use her mind,
As well as her other more saleable assets.
Her internal attic dressed with some Robert Greene
And her sparse wardrobe with yet sparser new outfits,
She set out to make the rain fall from the ceiling.

Scene Three — Real Friends

Norah and Evangeline walk Archway Road on the way to Never's. It's Carnival, and they are covered in green and gold.
Evangeline

My star has fallen, I am a supernova
Lighting the path for those as yet unexploded.
Thrice my understudy has received my roses,
Walked my stage, I'm fucking cosplayed by ospreys.

Norah

Men tend die or disappoint, Evangeline.
Yours are gone too, you'll forget them eventually.
The second I tear Cosmo's face from my thoughts
He shuttles back and forth, like a badminton court.

Evangeline

You never finished telling me how it ended.
We knew he was a salop, but you pretended
Not to care, unaware of how the ego fares
With betrayal, especially one laid out so bare.

Norah

I found it calming for my mental state
To co-habitate with a depressant,
Augmenting this social experiment
By inventing an alias identity
That surrogated all my pain for me,
While my true personality hibernated
Within my psyche, complete but fragmented.
My golden locum tenens was created whole
But programmed with self-destruction codes
Rigged to blow and explode this new soul,
Flowing through the original pieces
With the effect of connecting and gilting,
Improving the whole just as kintsugi
Renews a disintegrated ricebowl.

They reach Captain Never's
Tyrese

She gave the bell a ring, found it was still working,
Waited grinning at her imperfect offering
Then rushed headlong into the welcoming embrace
Of Captain Never, ever her fidus Achates.

Norah

What have you been doing?

Never

You know me. Nevering.
They're clearing out the building, new owners want it empty.
Come in so we can catch up properly, old friend.
It's so good to see you again! I won't pretend
I wasn't crushed when you left but I understood,
If that happened to me then I'm not sure I could
Forgive and forget, but as you know I've always
Been a slave to regret. Next time call me, okay?

Tyrese

She agreed and they sat on the settee, watching
MTV and from these helpful teacups quaffing
A cocktail of their own green invention; cola, lime
And large quantities of at-hand aqua vitae
Mixed with space oddities and novelty grinders
Filled with plants sometimes used to treat one's night blindness.
C'est que notre ame, helas! n'est pas assez hardie.

Act Three

Scene One — Antigonish

Tyrese

They only really ventured West for Carnival.
Captain missed his train so they waited one and all,
Henners repeating lines from Kidulthood at High Street Ken
Til Captain arrived at last with Red Stripe and 59 fags.

They all walk to The Albion
Tyrese

Rückenfigur, so called as he never faces
The crowd, was back in Bello for a gig that night.
This band, overnight sensation Raptors of Vertigo,
Occupied most of the pub with their groupies.

Rückenfigur

They call it L'Etranger In Algeria.
Self-improvement is merely clothed masturbation.
Self-destruction is clearly the path to true salvation.

Bootsy, the proprietor, arrives from somewhere reciting a limerick
Bootsy

There was a queer chap from Bohemia
A poor victim of hypoxyphilia
He wanted the chop
But Suzanne was no cop
On reflection it would have been easier.

The lino still holds her shape in the kitchen,
A silhouette of Shiraz where she finished.
I scrubbed it for a month then put a rug down,
Then took the rug up cos I missed her.
They sent me down for supply, Huck took the stand
And swore blind I was somewhere I wasn't.
Eighteen months I owed him for that performance,
Paid it back in product, interest included.
Now I pour for poets and pull pints for pricks
And the till don't ring as often as it should.
But nobody dies on these premises twice.
Touch wood.

WK returns with a girl and introduces her to Rückenfigur
WK

This is Hannah, went to art class with Eliza,
She's a part-time model and a mortgage adviser
Who claims to have never even heard of the Raptors!
I say we should wow her and leave her in raptures.

Rückenfigur

Forever scratching pen on a pad so maybe one day fire starts catching,
so maybe one day I can start relaxing
A nervous mind of a kind that isn't kind towards inaction.

WK

Factor in a fraction of my faction eat the porridge by the bowl,
The rest are unemployed, wanted, bailed or on parole.
Last week we had a party right, a friends send off night,
We partied 25 hours then we bruised his eyes.

Rückenfigur

We do the right things but started on the bottom aisle,
So now there's no surprise that our prize is mercantile.
You'd better revise your attitude before I really get mad at you,
I've had it dude, I'm throwing bows, better tell the dentist to be expecting you.

WK

Call the dentist bitch, make an appointment quick,
Cos I'm coming for your ass and I never miss,
Put an MC down like an anesthetist,
You're gonna need to call work and take of a week or six.
I'm like a water man, I'm in a fluid state.
My chi's bang in line, I feel really great.
Have you had a goji berry? Man the shit's bananas,
Harder than the hiragana, katakana and the kanji.

Rückenfigur

Shot two, living in the city it's too hot to
Find out who shot you, Roboto or Mugatu.
Too true to handle, you got blue sandals
And 16 candles in the Sistine Chapel.
Vandalize headlines, compromise deadlines
Crossing over red lines and small t's, dotting i's.
Higher than a Swanton, twisting like a wanton,
Chandon by the bottle to throttle thoughts of mans gone.

WK

Where's the lady in the van gone?
Camden Council got no leg to stand on.
Random mandem handing round ounces in the shards
Of glass placed in hearts of darkness, en garde!
Swiped right too hard, I might have to charge,
Bars shut early Sunday, so who got the free yard for us to rest in?
Two twos a two for two,
If Bossman blesses with wings, perfection.

Rückenfigur

Toss my best bredrin the steel protection,
Got the best deal on some real Smith and Westons.
Copped the receipt from the dealer's receptionist,
Buyer's remorse is the worst when it's corpses.

WK

Divorced from the truth, our reality's groupies,
A fuck thing, a screw fix, a blow toy, a chew piece.
Corrupted contortions of usual suspects,
For up here, my success is nothing.

Rückenfigur

I'm a villain in my aspect, thinking of the casket,
Criminal mindset, shrinking violet.
Swilling the decanter, drinking in the banter,
Sitting in the gastro, spitting fully gassed flows.

WK and Hannah go and have sex somewhere.

Joly, holding the book of matches from Yoshikoko, comes through the door. He is immediately face-to-face with Rückenfigur, who turns and walks away.

Joly follows and grabs his arm. Rückenfigur punches him in the face.

Joly hits him in the face with a chair.

His mask is removed, revealing his brother, Cosmo, missing all his front teeth.

Scene Two — The Sympathetic Dead

Tyrese

Next door the plates were still in pieces on the floor.
Delphine had swept them twice then put the dustpan down,
Preferring the evidence. The kitchen smelled of wine
And something she'd forgotten she'd been cooking.
She heard Tom talking to himself through the partition,
Two voices, one of them younger than the other.
She turned the radio up and thought of Cosmo,
Then turned it off because every song was his.

Tom Eliot-White lies in bed. A younger Tom and his wife sit at a table upon which lies a chessboard.
Older Tom

The ivory men make company between us.
You celebrate a Pyrrhic victory wildly,
I feign disappointment at losing the contest.
Rest peacefully, king, it was either you or me.
Tea for entertainment, gleefully gossiping,
Reading gloom, feeling some superiority.
Bleeding heart, thoughts and prayers, genie out the bottle,
Heathen, we should feed you to the Quetzalcoatl!

Tom's Wife

Who will pick up the paper tomorrow morning?
There's not really much going on up there, is there?

Younger Tom and his wife argue
Older Tom

There's nothing down here either, the nether is nought.
Nil points my score, your revision was quite pointless.

Younger Tom

I wish to give my draft to a better craftsman.
Why are you laughing? I'm being serious.
You're the delirious one, what are you saying?
Hey, where are you going? I'm talking to you here.
Why must you walk away? Just stay with me and talk.

Older Tom

Cheese and chalk, a fraught painting on the wall. Later,
A rainy afternoon, the grey like charged static
Electricity at a low, constant voltage,
Charging the atmosphere with a diluted suspense
And numbing the subconscious, mine is blindfolded.
Hints of hue in the charred coal, internal conflict
Breaking like Barcola through my defensive line,
Wry smiles to myself as I throw thorned white roses
At the target of your eyes, now forever closed.
Parked on the hard shoulder, I retired my role,
Green tie was brazen for the occasion but bold,
I curse not tasteful outfit, but outcome. Once in,
To free forks five, six feet deep is even hateful.

Older Tom (to audience)

About last night.
Cosmo, now a marionette of melodies,
Had sought severance from Dilettante endeavors.
Ron, the patriarch of perpetual motion,
Denied his sanctuary, himself a silent prisoner.
Aptly named for his head in the stars,
(That is when it's not up his own arse)
Cos enlisted Muggins here to help pull off
The theatrical, international divorce.
We didn't think he'd make Joly to the tour,
Maybe that we should have considered that thought.
Now we've come up with something better than before,
We start with Sunset, and end in Malebolge.

Tom goes next door to Cosmo's room.

Lying in bed, Norah reads the eulogy she wrote for Cosmo's funeral.
Norah

Now in your eternal stillness, do you see different?
Do you have infinite wisdom and know all the secrets?
Is there beauty and uniqueness in all God's creatures?
Do you know Jesus? Is Inception's end a dream sequence?
Will the meek inherit the earth and curse of fame?
Is there a Norah version that saves you from fate,
Worse am I the only one that lost you to the grave?
I couldn't take it, there's so much more that I want to say.
First I thought you were bluffing but still you're not here,
I don't blame you, sometimes this world's too much to bare.
You saw so much suffering, let me take the pain now.
Let me take on everything with a brave face now.
Let me take the weight of the world in my hands.
Let me bring fear to the molecules of sand.
Let me shed a tear for the fight I never fought.
Let my head clear and unlearn what I've been taught.

Cosmo

It's beautiful, Norah. I'm sorry it was fake.

Norah

You're so much nicer now that you're a dead person.
Your existence here was heavy, I'm glad it's gone.
Is there time before we go to play Kingdom Hearts?
I'm just at the end of this part, won't be too long.

Tyrese

Cosmo loved Norah and Norah loved Kingdom Hearts.
She beat her boss battle then they got in the car.
Now in rhythm section, he held a bass guitar
Tightly like protection from the flare of the star,
Now sat in the passenger, his older brother's
Passage to the fore, he's not passive anymore,
Something matters in his core, for the first time
Since the divorce, that much about Joly is for sure.

Scene Three — The Masque of Anarchy

INT — Sunset. The new band play the opening gig of their tour.
Cosmo

I drowned in April, water took the sting out,
Spezia swallowed every password that I owned.
No login for the dead, no inbox, no analytics,
Just salt and wood and months of letting go.
You lot wear your faces like a lanyard,
Swiping in and out of every lit-up room,
Performing for the aperture, the lens cap
On your hearts, exposure set to bloom and consume.
I burned mine at the waterline and floated,
Nameless in the undertow, devoted
To the absence, to the beautiful unquoted
Life that starts when every account is closed.
Soft power is the hand that rocks the cradle
And the grave, the algorithm lullaby.
I wore the mask so long I lost my teeth to it,
Now I'm grinning at you with an empty mouth,
Daring you to recognise the smile.

Henners

Why did we all let it come to this?
Why did we all let it come to this?
Why did we all let it come to this?
Why did we all let it come to this?
Why did we all let it come to this?
Why did we all let it come to this?

Joly

I drink the way my father talks, in rounds,
One for the nerves, one for the shame, one for the sound
Of nothing in a house where no one's home by ten,
I'm pouring doubles into single measures of a man.
My old man built the label off the back of broken artists,
I built nothing off the back of him, I'm harvest
From a vineyard that he planted just to watch the rot,
He looks at me and sees the vintage that he's not.
I held my brother's coffin knowing there was nothing in it,
Shouldered all that empty weight and didn't flinch,
I've been carrying nothing my entire life and calling it a living,
The pallbearer with no body and no witness.
I'm not a rapper and I'm not my brother's keeper
And I'm not my father's heir tonight, I'm evidence
That something grows in soil that was never meant for planting,
So I'm gonna let it out before it puts me in the ground.

Cosmo signals for the music to stop
Cosmo

Faces wholly beshrouded in red-dyed dowlas,
Baseless holy growlings like Howl on laughing gas.
Ephemeral performances unetherised,
Everyone knew they were part of "History",
Besides the reformed deceased, they know fame is misery.
We mourn them ceaselessly, the sewers of livery,
Playing to gaunt hands and cerebral thought police,
On trial for obscenities, lovers of free speech.
Surge too fast and catch chills in the church, go too slow it's heatstroke.
Either way one's for it, this we know
But the urge to purge for weddings and funerals
Keeps us fainting-fit til we crumple like rag dolls,
Beautiful jackals face-painting Roman numerals
On to their public facades like macabre murals.
Pleasure thrills of the brightly lit streets of Algiers,
Blood, sweat and tears flood, trapped in a mud nap for 12 years.
The streets where we from bred the bad seeds,
Casually made casualties and plaintives of bad tragedies,
Treated more poorly than old Salamano's dog.
Growing out of the silence, countless angsty blogs
And pogroms on society's highest echelons,
Who feed on the worst sin under the sun:
Creating desire but denying gratification.
False freedom in my eyes, and so I take action.
Now the monomyth is the monolith.
A society's priorities lie on the horizon.
In London Town we rest our eyes on
A Gherkin, a Walkie-talkie, a Shard and a prison.
Now is the winter of our discontent
Made colder by coin, this son of Satan.
Sound debates unrationalised by fake news,
Public needs unnationalised by yahoos.
Behind the wool masque is a blank face like yours.
No fate is insurmountable, but I still stay unaccountable.
They fear the Red Death so I wear it to chill them,
Addicted to killing, illimitable dominion.
Slack screengrabs from snapchat
Ping back Macs and apps attack
By hacking cracked whatsapps
To find alternative facts, stat.
Cashed in rehashed weapon caches,
Handed to rash lads to smash Daesh,
Then in a flashbang reframe narrative,
Dispatch the harriers and turn them to ash.
Earn your repast and slash the ruling classes.
Murder your past and depart to new parts.
I offer a new start, an antidote to 'sanity'.
To those that asked, I grant a counterpart reality.

Cosmo removes his mask
Some of you know the purpose of your presence here tonight, some are caught blindsided. In a moment we shall hand round a solution, so those who choose to join us shall suffer no sickness in transit.
Petrol canisters are brought on stage with bottles of vodka
Those that wish to stay may drink too, but it may hasten your combustion. There's not much left to say but that it's better to burn out in an ecstasy of joy and rage than fade away in the eternal raptures of vertigo.
Petrol is poured on stage and around the building
Cosmo

We flee this arid plain and set our lands in order. Represent. Shantih.

Screams

The End